We, as the Designer Interviews ("DI") had the distinct pleasure and opportunity to interview award-winning, most creative and innovative Djivan Schapira ("DS").

Djivan Schapira is a French-born 25-year old artist, designer, craftsman, and founder of ABDB Designs. After completing a 10-year apprenticeship in woodworking with his father, a master woodworker, Schapira launched ABDB (Au Bout Du Bois) Designs as a platform to channel his creativity, and provide breathtaking functional furniture, art, and accent paneling to the world. Blurring the lines between art and furniture, Schapira's pieces incorporate his one of a kind, patent pending process of stylistically embedding cross-cuts of recycled wooden end grain in colored resin. Schapira's obsession with end grain came from working with his father at an early age, and while at Parsons, Schapira discovered his appreciation for patterns and symmetry. Additionally, while studying architecture at Parsons, Schapira came to the realization that understanding architecture was necessary for setting a new bar in furniture design. This epiphany led to the pursuit of his vision by leveraging his symmetrically positioned the end grain discs while also allowing the end grain's natural beauty and unique properties speak for themselves. Schapira believes that by creating a process and a product never before seen in the art or furniture world, he can inspire others to follow their dreams of creating no matter how radical they may seem. As an immigrant in the United States, Schapira was nearly forced out of the country due to his expiring student visa status. By founding ABDB Designs, as well as achieving patent pending status, receiving small investments, and recruiting a co-founder to help build the company, Schapira was able to secure the prestigious E-2 Business Visa to stay in the country during a time of uncertainty, as the United States believes in ABDB strongly enough to allow him to pursue his dreams. Schapira would note additional achievements as completing the architecture program at Parsons in New York City, as well as curating successful ABDB pop-up events in multiple cities across the country.

Djivan Schapira Designs

We are pleased to share with you original and innovative design work by Djivan Schapira.

Designer Interview of Djivan Schapira:

DI: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

DS : Art pretty runs in my bloodline. My grandfather on my mother's side was an incredible Armenian painter. My father is an unbelievable craftsman who raised me in the world of woodworking. Since the age of 10 I spent my time hanging out in his shops and slowly learning the trade. I was raised in a household which always appreciated art, design and architecture. While apprenticing under my father I decided to study architecture in college. I pretty much knew I didn't want to be an architect however I thought it would be an incredible foundation to learn and understand the use of space, materials and design. While I was studying at Parsons School of Design and working for my father, I decided that once completing school I would open up my own business revolving around my designs. And a few years later here we are.

DI: Can you tell us more about your company / design studio?

DS : ABDB stands for "Au Bout Du Bois" in French, or "at the end of the grain/wood" in English, and I conceived the idea for ABDB Designs in September of 2015. We officially founded, along with Co-Founder Andrew James, in October of 2016 and officially launched via Kickstarter in November of 2017. I was always aware that in this day and age I would not be able to start this company alone so I went looking for someone to tag team this venture with me. Andrew was the perfect fit and primarily handles out business development and outreach. We together are Ying & Yang. ABDB Designs has become to be a multidisciplinary atelier designing & handcrafting high-end furniture and luxury interior accent paneling. We are founded and produce our furniture by way of our patent pending process of embedding recycled cross-cuts of end grain in resin, which we also color ourselves. The process can be applied to nearly any flat surface, and we are very versatile in that regard. We have a debut line of end tables, cocktail tables, and wall hangings, in addition to the ability to heavily customize, making us a collaboration-forward company when working with designers, architects, and private clients on their pieces or larger installations. Our design studio, ABDB Studios, is located in the Palisade Cliffs of New Jersey, overlooking the Hudson River and a breathtaking view of the entire Western Manhattan Skyline. With around 2,400 sq. ft. of space, our studio is our workspace, woodshop, showroom, office, and headquarters. Contact us via our website if you would like to schedule a visit!

DI: What is "design" for you?

DS : This is not the easiest question to answer but if I had to put it simply I would say design is the culmination of imagination, conceptualizing and bringing something to fruition.

DI: What kinds of works do you like designing most?

DS : Given my multidisciplinary education Im not sure I have a specific preference however right now I am enjoying designing innovative furniture and installations.

DI: What is your most favorite design, could you please tell more about it?

DS : To be frank I am not sure I can answer this question... its like asking me my favorite food.

DI: What was the first thing you designed for a company?

DS : I have never designed anything for another company.

DI: What is your favorite material / platform / technology?

DS : Currently I am enjoying working with wood, resin and soft metals. As far as technology, the advancements in robotics in the last decade have proven to be absolutely incredible and are allowing artists to create things that were either deemed impossible or would take a ridiculous amount of time. I look forward to at some point dive into that realm.

DI: When do you feel the most creative?

DS : I don't know if I can specifically say. Often after I take a break and go on a trip. Given the fact that that is rather rare creativity seems to find me when I randomly see something that sparks me. It's like lightning...I never know when it can hit.

DI: Which aspects of a design do you focus more during designing?

DS : Given my current style, the graphic designs that I portray on my pieces is the part that requires the most "designing."

DI: What kind of emotions do you feel when you design?

DS : Emotions are always a rollercoaster ride...especially when designing. I can be stuck on a ride that takes me to new heights and then later realize its not possible. What is important is taking in these emotions and harnessing them in to our own advantage.

DI: What kind of emotions do you feel when your designs are realized?

DS : Relief and excitement to move onto the next!

DI: What makes a design successful?

DS : To me its simple. It looking the way I want and being structurally sound.

DI: When judging a design as good or bad, which aspects do you consider first?

DS : Honestly, I try not to judge. There are things that I personally enjoy more than others, but I always love seeing and appreciating anyone creating something and putting it out to the world. It's a scary and exhilarating feeling and I support anyone who takes the leap.

DI: From your point of view, what are the responsibilities of a designer for society and environment?

DS : I believe a designer's responsibility for society and environment are to always push the boundaries forward while being conscious of what you're leaving behind. Pay attention to your process, as well as your footprint, and always have fun with it!

DI: How do you think the "design field" is evolving? What is the future of design?

DS : Naturally we are a species that is forever looking to evolve. This evolution is dictated by our environment. Design is a constant juxtaposing between the past and present and seeing how what we've learned can elevate us to the next level. I cannot say for sure what the future of design is but I can surely say will be there for the journey.

DI: When was your last exhibition and where was it? And when do you want to hold your next exhibition?

DS : Our most recent exhibition was a NYC pop-up created and curated entirely by ourselves titled, ABDB Designs Presents: A New York Showcase. The pop-up was located in the Lower East Side of Manhattan, and consisted of three days which included a Vernissage, a larger party, and a three-day retail store. All music, set design, guest lists, and visual aesthetics were directed by ABDB Designs. With a collective attendance in the hundreds, as well as making a profit when all said and done, we considered our first NYC pop-up to be a success - there's always more to learn, however! Expect our next pop-up to be in early summer in NYC, followed by LA in late summer, and Art Basel (Miami) to close out 2019. After that....Europe!

DI: Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

DS : My inspiration naturally comes from the world around me. From watching other artists excel at their own craft, to traveling and learning about different cultures is predominately where I find my greatest sources of inspiration.

DI: How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

DS : This is a question I've been asking myself for a long time. I kind of like the phrase "contemporarily innovative." I'm not sure it makes the most sense but regardless I don't like to focus too much on this question. My style is my style, if in a few years things develop and people want to categories to can feel free. For now I'm just doing me.

DI: Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

DS : I currently live in the New York City area. I was born in Paris but spent a lot of my early life in rural central countryside of France. When I was 6 my family immigrated to the United States. While I am still just solely a French citizen and speak fluent French with my family, I consider myself incredibly Americanized. I believe my cultural heritage definitely defines me as a person but I wouldn't say its specifically translated into my designs.

DI: How do you work with companies?

DS : We collaborate with architectural and design firms to either supply our collection furniture, or begin with a blank canvas and build something totally custom, or a combination of both! Recent examples include four custom (color/dimension) outdoor cocktail tables for the Hoxton Hotel in LA, six custom (color/dimensions/end grain pattern) bistro tables for Blind Barber Chicago, and two collection tables (one cocktail, one end table) for the world famous Second City in Chicago, IL

DI: What are your suggestions to companies for working with a designer? How can companies select a good designer?

DS : Be open to new ideas! Some designers have specific products that might feel a bit "risky" or "scary" to pursue or move forward with, but there is always greatness on the other side of fear. Take the leap! You never know who can offer what, and turn a simple project into a groundbreaking marvel. I think companies can select a good designer based on a) whether or not they like their designs, and b) how they interact with the designer/design team. A good rapport always creates the best relationships, and in this industry a good relationship goes a long way.

DI: Can you talk a little about your design process?

DS : Unfortunately like I mentioned before the process is proprietary so until our patent falls though I will not disclose any part of the processs and leave it to the audience's imagination

DI: What are 5 of your favorite design items at home?

DS : My mother's authentic blue Lava Lamp set on one of their 3 legged spaceship bases. 3 of my father's original furniture pieces he designed in the 80's.And lastly an original cover print poster of the comic book "Les Aventures de Tintin: On a Marché Sur La Lune"

DI: Can you describe a day in your life?

DS : Obviously days can vary but more often than not I am in my shop working on various tasks. Id say I spend 80% of my day in the shop and I love it.

DI: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

DS : Considering that I am 25 I still consider myself a young designer and am still constantly absorbing wisdom from artists and craftsmen I met. However one thing I can say is that is a young designer has an itch...itch it! The world is our oyster.

DI: From your perspective, what would you say are some positives and negatives of being a designer?

DS : Im not sure I can specifically pin point specific pros and cons. I believe designing is a constant dance between wanting to create what our imagination can come up with and finding the tangible ways to achieve what we want. However I will never take for granted the ability to work for oneself and create things that we want to do. That is without question an incredible "pro."

DI: What is your "golden rule" in design?

DS : Considering the fact that I still consider myself an up and coming designer I don't think I have established my "golden rule." What I can say is that taking time to reflect on anything that one is working on is imperative to success.

DI: What skills are most important for a designer?

DS : Necessary skills are definitely determined by what specific type of design one is hoping accomplish. However one thing that spreads all design fields is the necessity to keep an open mind when designing. Ultimately designing is about confidence and believing in oneself.

DI: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

DS : I will not dive into any specifics however one of my most important design tools is a notebook. Sketches and notes are imperative to accomplishing any design work.

DI: Designing can sometimes be a really time consuming task, how do you manage your time?

DS : Rather than "time management," I like to focus on "attention management." What I mean by this is, I try not to squeeze too many things in a day that feel unnatural, and/or organize those things because I feel like I "have" to do them at a specific time. Rather, I create a list of what I'd like to accomplish in a day, and direct my attention to whatever I'm feeling best with. For example, I know that I enjoy working with my hands in the beginning of the day, and that I like to create late at night, so on this type of day, I'll start with something simple like sanding, and end late night on my computer coming up with design concepts and prototypes. Every day is different though, so it's really based on how I feel and where I feel I should place my attention.

DI: How long does it take to design an object from beginning to end?

DS : I can't really answer this question! Sometimes it takes weeks, sometimes months, sometimes years. I've started projects, hit a creative block, and picked them up years later to complete. I've also started projects and just felt the flow of energy the entire time and created something new in weeks.

DI: What is the most frequently asked question to you, as a designer?

DS : I don't want to make anything up so considering that were just getting started here I'm not sure there really is a most frequently asked question. I guess often times people with be curious as to how I got to where I am and my answer while it may sound cliché is always to believe in oneself and keep pushing.

DI: What was your most important job experience?

DS : I'd say my most important job experiences are two-fold: a) being able to complete a 10-year apprenticeship with my father, who is a master craftsman and creator of high-end custom furniture, and b) to have been able to complete jobs with my father in the homes of high-profile clients. The apprenticeship taught me how to build furniture, while the client aspect taught me how to build relationships. Successful jobs can only be accomplished if one is precise and thats a lesson my dad taught me very on.

DI: Who are some of your clients?

DS : Aside from a number of private clients, some of our more commercial clients include Hoxton Hotels, The Second City, Blind Barber, and Soho House & Co.

DI: What type of design work do you enjoy the most and why?

DS : Again this is like asking me my favorite type of food...I have a hard time with these types of question and rather not open pandoras box.

DI: What are your future plans? What is next for you?

DS : My goal right now is to continue to develop ABDB and bring the company to new heights. We are young and just getting started which has me very excited to see where the future takes us.

DI: Do you work as a team, or do you develop your designs yourself?

DS : My team consists of myself and my business partner Andrew. While I may bounce ideas off him (as well as other friends and counterparts), I primarily develop my designs and manufacture them myself.

DI: Do you have any works-in-progress being designed that you would like to talk about?

DS : To find out about works-in-process people will just have to follow our journey. I tend to not disclose anything about projects that aren't completely finished.

DI: How can people contact you?

DS : Fill out the contact form on our website and we will respond within hours! https://abdbdesigns.com/pages/contact

DI: Any other things you would like to cover that have not been covered in these questions?

DS : Nope, id say you guys definitely do a good job asking the right questions.