We, as the Designer Interviews ("DI") had the distinct pleasure and opportunity to interview award-winning, most creative and innovative Ä°sil Gencoglu ("ÄG").
She has been working as an architect in Turkey for about 30 years. She designs and constructs hotels, schools, hospitals, residential buildings. Also, she has been trying to prevent the destruction of historical buildings by dealing with restoration for many years. She completed her doctoral thesis on the preservation of historical buildings and their re-functioning.She teaches students in design courses at universities. architecture is a passion, and being part of design is the most exciting thing ever.
Ä°sil Gencoglu Designs
We are pleased to share with you original and innovative design work by Ä°sil Gencoglu.
Ä°sil Gencoglu Design - Cunda Despot House Hotel
Ä°sil Gencoglu Design - Mardin Cevzat Kasri Ecological Hotel
Designer Interview of Ä°sil Gencoglu:
DI: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
ÄG : I belong to a generation where social media, computers, and technology were not as dominant. Instead, we spent time playing various games with friends on the streets, which really developed our brains and imagination. I believe this experience played a significant role in propelling me toward becoming a designer. Yes, I have always dreamed of becoming a designer and creating works of art.
DI: Can you tell us more about your company / design studio?
ÄG : "A team composed of young, productive, hardworking, and visionary individuals; energetic, intelligent, and dedicated partners and associates. Our office is known for delivering highly impactful and exceptional projects."
DI: What is "design" for you?
ÄG : "For me, design is the successful convergence of functionality, aesthetics, and attention to detail on a common ground."
DI: What kinds of works do you like designing most?
ÄG : "Reactivating monumental works by giving them new functions, allowing them to come back to life without compromising their historical essence, while carrying the traces of their past experiences and offering new experiences."
DI: What is your most favorite design, could you please tell more about it?
ÄG : "The Cevzat Kasrı in Mardin is a project that focuses on preserving the historical integrity of the building while integrating contemporary design elements. The aim is to revitalize the structure by adapting it to modern needs without altering its original character. By carefully maintaining its unique architectural features and cultural significance, the project seeks to offer new experiences while honoring the legacy of the past."
DI: What was the first thing you designed for a company?
ÄG : "The first project I designed was a residential project."
DI: What is your favorite material / platform / technology?
ÄG : For me, the most indispensable tools in my design process are my sketch papers and pencils. I firmly believe that designing is best approached through the coordination of the hand, eye, and mind. Thinking visually and imagining through lines drawn on paper allows ideas to flow naturally and authentically. Despite the advancements in digital tools, I hold a deep appreciation for the simplicity and power of traditional methods. A sheet of paper and a pencil remain my most valued instruments, enabling me to bring concepts to life in their purest form.
DI: When do you feel the most creative?
ÄG : I feel the most creative during two distinct times of the day. Mornings, especially while enjoying my coffee, provide a sense of clarity and focus that sparks fresh ideas. On the other hand, the late-night hours, when the world around me is quiet and still, create an atmosphere of deep introspection and undisturbed concentration. These moments allow me to fully immerse myself in my thoughts and let my imagination flow freely.
DI: Which aspects of a design do you focus more during designing?
ÄG : During the design process, my primary focus is on functional solutions and plan layouts. I believe that a well-thought-out design begins with a strong foundation in functionality. Ensuring that the plan meets both practical needs and spatial harmony is essential for creating a design that is both efficient and aesthetically pleasing. By prioritizing these aspects, I aim to develop designs that seamlessly integrate form and function
DI: What kind of emotions do you feel when you design?
ÄG : When I design, I feel a deep sense of excitement and creative energy. The process of bringing ideas to life and crafting something meaningful fills me with joy. Most importantly, I feel a profound sense of purpose knowing that my work has the potential to contribute positively to people’s lives and the broader community. This combination of passion and a drive to create something beneficial fuels my design journey.
DI: What kind of emotions do you feel when your designs are realized?
ÄG : When my designs are brought to life, I feel immense happiness and a profound sense of inner peace. Seeing an idea transform into a tangible reality is deeply fulfilling and reinforces the passion and effort I put into the creative process. It’s a moment of gratitude and pride, knowing that the design can now make a positive impact in the real world.
DI: What makes a design successful?
ÄG : A design is successful when it achieves several key elements. First and foremost, it must ensure user satisfaction by meeting practical needs effectively. Additionally, it should serve humanity by contributing positively to society and addressing broader challenges. A truly remarkable design is one that can be passed on to future generations, maintaining its relevance and value over time. Finally, a successful design should evoke emotions such as excitement and happiness, creating a meaningful and lasting connection with its audience.
DI: When judging a design as good or bad, which aspects do you consider first?
ÄG : When evaluating a design, I prioritize several key aspects. First, its functional solutions—how effectively it meets its intended purpose. Next, the level of detail in its execution, as thoughtful detailing often defines the quality of a design. Aesthetic appeal is also crucial, as it influences how the design connects emotionally with its audience. Additionally, I assess its harmony with the surrounding environment, ensuring it integrates seamlessly and respectfully. Lastly, material selection plays a vital role, as it impacts both the durability and overall expression of the design.
DI: From your point of view, what are the responsibilities of a designer for society and environment?
ÄG : A designer's responsibilities extend beyond aesthetics and functionality—they have a profound duty toward society and the environment. It is essential to create designs that respect nature rather than dominate it, promoting harmony and sustainability. Designers should aim to develop solutions that can be passed on to future generations, maintaining their relevance and value over time. Moreover, a designer must prioritize creating comfortable living spaces that enhance people's lives and make everyday experiences more convenient and enjoyable. By fulfilling these responsibilities, designers can contribute meaningfully to a better world.
DI: How do you think the "design field" is evolving? What is the future of design?
ÄG : The field of design is evolving toward a more minimalist approach, focusing on simplicity and functionality. Future designs will prioritize making life easier and more comfortable, embracing a sense of understated elegance rather than ostentation. However, this shift does not mean a departure from innovation—on the contrary, technology will play an integral role, seamlessly integrating advanced solutions into everyday designs. The future of design lies in creating spaces and products that are both user-centric and technologically sophisticated, all while maintaining a commitment to simplicity and sustainability.
DI: When was your last exhibition and where was it? And when do you want to hold your next exhibition?
ÄG : My last exhibition was a project showcase held a few years ago at UludaÄŸ University in Bursa. It was an exciting opportunity to present our work and engage with a creative community. As for the next exhibition, my goal is to hold it once our new project is completed. We plan to host the exhibition at the Cevzat Mansion in Mardin, one of the most beautiful places in the world. I look forward to sharing our work in such a remarkable setting when the time comes.
DI: Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
ÄG : My design inspiration stems from a variety of sources. Traveling to different countries and exploring new cultures provides me with fresh perspectives and insights into diverse ways of living and thinking. Nature walks also play a significant role in nurturing my creativity, as the natural world offers endless beauty and patterns that inspire innovative ideas. By immersing myself in these experiences, I’m able to stay connected to the world around me and continuously feed my creative process.
DI: How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
ÄG : I would describe my design style as modern, minimalist, and ecologically conscious. This approach emerged from my desire to create spaces and products that are both functional and harmonious with their surroundings. I focus on simplicity, eliminating excess, and emphasizing clean lines and efficient use of space. Sustainability is a key element of my designs, as I aim to respect nature and integrate eco-friendly materials and solutions. My approach to design is centered around creating balanced, timeless environments that enhance comfort while minimizing their environmental impact.
DI: Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
ÄG : I live in Bursa, Turkey, a city rich in cultural heritage. Yes, the cultural legacy of my country significantly influences my designs. Turkey's strategic position at the crossroads of Eastern and Western civilizations, where different cultures have converged over time, provides a unique source of inspiration. This diverse cultural backdrop enriches our design perspective, allowing us to integrate a variety of viewpoints into our work. The advantages of living in Turkey include access to a wealth of historical references and a blend of traditions that enhance creativity. However, the challenge lies in balancing these diverse influences to create modern designs that still respect the cultural context.
DI: How do you work with companies?
ÄG : When collaborating with companies, we ensure that we stay true to our design principles without compromising on quality or vision. Our approach is to maintain a clear understanding of the project's goals while integrating the company’s requirements, ensuring both functionality and aesthetics align. We focus on a transparent and collaborative process, where communication is key to achieving the best possible outcome for all parties involved.
DI: What are your suggestions to companies for working with a designer? How can companies select a good designer?
ÄG : When working with a designer, companies should prioritize several key qualities. First, a designer should uphold strong design principles, ensuring that creativity and functionality align with the company’s goals. Commercial ethics, work discipline, and strategic planning are also critical for successful collaboration. Additionally, effective customer relationship management, visionary thinking, and the ability to adhere to a project timeline are essential traits for any designer. By focusing on these qualities, companies can select a designer who not only delivers great designs but also brings a professional and cohesive approach to the project.
DI: Can you talk a little about your design process?
ÄG : My design process always evolves from functionality to form. For me, creating a design solely focused on aesthetics, with a great appearance but lacking in functionality, is not a valid approach. I place great importance on solving details and ensuring every element serves a purpose. I believe in designs that respect nature, focusing on creating environmentally conscious, human-centered, ecological, functional, and aesthetically pleasing solutions. My goal is to achieve a harmonious balance between all these aspects, ensuring that the final design is both practical and beautiful.
DI: What are 5 of your favorite design items at home?
ÄG : Paintings by various artists, which add a personal and artistic touch to my space. My reading chair, which offers comfort and a perfect spot to relax with a book. A stylish floor lamp (lambader), which enhances the atmosphere with its soft light. The console table, an elegant piece that brings both functionality and design into my living space. The glassware cabinet, a refined piece that holds my collection of delicate glassware, blending utility with aesthetic appeal.
DI: Can you describe a day in your life?
ÄG : My day starts with a strong breakfast, accompanied by Turkish coffee and plenty of tea, all set to the backdrop of music. I then dive into my work, which includes design tasks, site inspections, project studies, and meetings with clients. My day also involves discussions with subcontractors, team meetings, and delegating tasks. After work, I enjoy physical activity, either Pilates or tennis, to stay energized. I wind down with dinner, sometimes accompanied by friends or, in the evening, by spending time with my spouse, either watching a movie or listening to music. The day concludes with a restful sleep, preparing me for the next.
DI: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
ÄG : Work Discipline and Task Management are key to success in design. Stay organized and follow through on every detail, no matter how small. Travel to Different Cities and Countries—exposing yourself to diverse cultures and environments will broaden your perspective and inspire new ideas. Learn from Experienced Designers—understand their viewpoints and approaches. It’s crucial to grasp how seasoned professionals think and work, as this can greatly enhance your own process. Finally, Build Healthy and Happy Relationships in your personal life. A balanced and fulfilling life outside of work provides the mental clarity and energy needed to excel in your career.
DI: From your perspective, what would you say are some positives and negatives of being a designer?
ÄG : Being a designer offers numerous positives. One of the most rewarding aspects is the ability to create meaningful, functional, and aesthetically pleasing work that can have a lasting impact on people's lives. The process itself is deeply fulfilling, as it allows for constant creativity and innovation. Additionally, the ability to explore new cultures, ideas, and materials, through travel and exposure to different environments, adds a richness to the work that is both inspiring and enlightening. However, like any profession, there are challenges. The pressure to meet deadlines while maintaining high standards can be demanding. There’s also the need for continuous learning and adaptation to new technologies, trends, and market demands. Balancing work with personal life can sometimes be difficult, as the creative process often requires deep focus and commitment. Despite these challenges, the fulfillment of seeing a design come to life and contribute positively to society makes it all worthwhile.
DI: What is your "golden rule" in design?
ÄG : My "golden rule" in design is functionality. A design must first and foremost serve its intended purpose effectively and efficiently. Without functionality, even the most beautiful design loses its value. Every element should be considered for its practicality and ability to enhance the user experience, ensuring that the form follows the function in a harmonious way.
DI: What skills are most important for a designer?
ÄG : The most important skills for a designer include the ability to make quick decisions, as design often requires adapting and refining ideas in a fast-paced environment. Attention to detail is also crucial, as even the smallest elements can make a significant impact on the final product. Additionally, a designer must be able to strike the right balance between functionality and aesthetics, ensuring that both are used effectively without compromising one for the other. These skills enable a designer to create solutions that are both practical and visually compelling.
DI: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
ÄG : My toolbox consists of both physical and intangible tools. For the creative process, I rely heavily on sketch paper and pencils, as these allow me to visualize and explore ideas freely. Beyond these, my toolbox includes my life experiences—personal encounters, travels, and cultural explorations—that inspire my designs. These lived experiences contribute to my perspective and creativity, providing a deeper connection to the work I create. While I use various digital tools for the technical aspects of design, the foundation of my process remains rooted in the simplicity of hand-drawn sketches and the rich inspiration drawn from life itself.
DI: Designing can sometimes be a really time consuming task, how do you manage your time?
ÄG : Managing time effectively is crucial in design, especially when balancing multiple projects. I prioritize tasks based on their urgency and importance, setting clear deadlines for each phase of the process. I break down larger tasks into smaller, manageable steps, ensuring I maintain focus without feeling overwhelmed. To avoid burnout, I also allocate time for breaks and personal activities, such as Pilates or tennis, which help me stay refreshed and maintain my creativity. Regularly assessing my progress and adjusting my schedule when needed allows me to stay on track and complete designs efficiently without compromising quality.
DI: How long does it take to design an object from beginning to end?
ÄG : The time it takes to design an object can vary significantly. Sometimes it can take as little as 10 minutes, especially when inspiration strikes quickly, and the design comes together effortlessly. Other times, it can take days or even longer, depending on the complexity of the project and the conditions at the time. The process is influenced by various factors, including the level of detail required, the nature of the project, and how the design evolves during its development. Inspiration and external circumstances often play a key role in determining how long the design process takes.
DI: What is the most frequently asked question to you, as a designer?
ÄG : The most frequently asked question I receive is whether I am an interior designer or an exterior designer. To clarify, architecture is a holistic discipline that encompasses both interior and exterior design. As a designer, I believe in the integration of both aspects, creating cohesive spaces that blend seamlessly between the inside and outside, each contributing to the overall design vision.
DI: What was your most important job experience?
ÄG : One of my most important job experiences was working on the Cunda Despot House project. This project involved designing a unique residence that combines modern living with the rich cultural history of Cunda, a beautiful island known for its heritage. The challenge was to respect the traditional architecture of the area while integrating contemporary design elements that meet modern needs. It was a rewarding experience that allowed me to balance aesthetics, functionality, and cultural sensitivity, while pushing the boundaries of design. The project’s success marked a significant milestone in my career, showcasing my ability to create thoughtful, innovative spaces.
DI: Who are some of your clients?
ÄG : Some of my clients include Cavit ÇaÄŸlar, a well-known businessman and former government minister, as well as Muzaffer Polat, another prominent businessman. Both have been great to work with, and each project presented its own unique set of challenges and opportunities. Working with such distinguished clients has enriched my experience and allowed me to develop tailored, innovative solutions for a variety of high-profile projects.
DI: What type of design work do you enjoy the most and why?
ÄG : I particularly enjoy working on projects where monumental structures are reimagined for new functions. These projects allow us to breathe new life into historical buildings that were created years ago and are at risk of being lost. By repurposing these structures, we integrate them back into everyday life, giving them a new role and preserving them for future generations. Projects like the Mardin Cevzat Kasrı and Cunda Despot House are perfect examples of this approach, where history meets modern functionality in a way that honors both the past and the future.
DI: What are your future plans? What is next for you?
ÄG : One of my main future plans is to bring the Mardin Cevzat Kasrı project to life and oversee its construction. This project is particularly exciting as it combines historical preservation with modern design, creating a space that will serve both as a cultural landmark and a functional space for the community. I'm eager to see it take shape and contribute to the architectural landscape of Mardin.
DI: Do you work as a team, or do you develop your designs yourself?
ÄG : Yes, we work as a team, and each member brings their unique perspective on architecture and life. I believe that by combining everyone’s individual viewpoints and expertise, we create projects that are richer and more successful. The collaboration within our team allows us to continuously learn from each other, bringing diverse ideas and solutions to the table, which ultimately leads to the creation of projects we are all proud of.
DI: Do you have any works-in-progress being designed that you would like to talk about?
ÄG : Yes, one of the ongoing projects I’m working on is the Mossa Bademli Project, located in a very special area in Bursa. This project consists of 39 residential units and villas, designed not only with luxury and comfort in mind but also with a deep respect for nature. The development is carefully integrated into its natural surroundings, ensuring that the residences blend harmoniously with the landscape. It’s a project that strives to offer both high-end living and a sustainable lifestyle, with a strong focus on nature conservation.
DI: How can people contact you?
ÄG : People can contact me via email or my mobile phone for inquiries or project discussions. I’m always happy to connect and collaborate on new opportunities.
DI: Any other things you would like to cover that have not been covered in these questions?
ÄG : One important point I’d like to emphasize is that great designs are the result of the work of good, ethical, and principled individuals. The values and integrity of the designer play a significant role in creating truly meaningful and impactful designs. It’s not just about technical skills; it’s about the commitment to creating work that serves both people and the environment.