We, as the Designer Interviews ("DI") had the distinct pleasure and opportunity to interview award-winning, most creative and innovative Natalia Ottonello ("NO").
Natalia Ottonello, is the co founder and lead designer of the Studio Guevara Ottonello Architects, an interdisciplinary and multi awarded architectural studio, that emphasizes excellence, innovation and uniqueness, in every project. Natalia Ottonello has designed projects on every scale, including residential, commercial, Hospitality, interior design and master planning projects. A main objective of the studio is to honor the Architectural Design, as the art of space, designing always with passion and commitment, creating architectural designs that aim to innovate and transcend. With a strong commitment to improve the quality of the environment, and to design with excellence and innovation.
Natalia Ottonello Designs
We are pleased to share with you original and innovative design work by Natalia Ottonello.
Natalia Ottonello Design - Promenade Residential Building
Natalia Ottonello Design - Don Majestic Hotel
Natalia Ottonello Design - Otto Uno Residential Building and Social Housing
Designer Interview of Natalia Ottonello:
DI: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
NO : My path into architecture was inspired by my fascination with how the built environment impacts human behavior and well-being. From the beginning of my studies, I was deeply interested in understanding how spaces influence not just physical health, but also emotional and mental states. This interest led me to pursue a Master’s in Neuroscience Applied to Architectural Design, where I combined architecture with neuroscience to design environments that promote health and well-being. I have always wanted to be an architect, but my specific focus on neuroarchitecture evolved over time as I recognized the potential for design to significantly improve people’s lives
DI: Can you tell us more about your company / design studio?
NO : Guevara Ottonello Architects, is a multidisciplinary architectural studio based in Uruguay. Our studio specializes in a wide range of sectors, including residential, commercial, hospitality, and educational design. We have been recognized with several international awards for our innovative approach to architecture. At Guevara Ottonello Architects, we emphasize creating spaces that enhance the physical, emotional, and mental well-being of the people who inhabit them, integrating principles from neuroarchitecture into our designs.
DI: What is "design" for you?
NO : For me, design is the process of creating environments that respond to human needs in a holistic way. It goes beyond aesthetics and functionality; it’s about shaping spaces that promote health, happiness, and well-being. In architecture, design is an opportunity to impact people’s lives in a positive way, supporting both their physical and mental health by creating environments that reduce stress, encourage healthier behaviors, and foster a sense of connection to the environment.
DI: What kinds of works do you like designing most?
NO : I am particularly passionate about residential architecture. Our recent project, Romi Building, a social housing development, focuses on using neuroarchitectural principles to create environments that reduce stress and promote healthier living. Residential spaces have a profound impact on people’s daily lives, and I enjoy the challenge of designing homes that enhance well-being.
DI: What is your most favorite design, could you please tell more about it?
NO : One of my favorite projects is the Romi Building, a social housing development. It was designed with the intention of improving the mental health and quality of life for residents, incorporating principles of neuroarchitecture such as natural light, access to nature, and spatial organization that reduces stress. The project is a meaningful example of how architecture can address social and health issues, and it’s very fulfilling to see how these principles translate into tangible benefits for the people who live there.
DI: What was the first thing you designed for a company?
NO : The first significant project I designed was a commercial space. It was an opportunity to apply my architectural knowledge to a functional space with high user traffic. This initial experience taught me the importance of balancing aesthetics with practicality, especially in spaces designed for a diverse range of users.
DI: What is your favorite material / platform / technology?
NO : I am particularly drawn to materials that have a positive impact on health and well-being, such as natural materials like wood, stone, and clay, which promote a sense of connection to nature. As for technology, I am interested in integrating neurotechnology in design, such as biometric data collection to understand how space impacts stress and emotional responses. Virtual reality and simulation platforms also play a significant role in testing and refining designs, especially when integrating neuroarchitectural principles.
DI: When do you feel the most creative?
NO : I feel the most creative when I can immerse myself fully in the design process. This often happens when I’m working on a project where I can explore new ideas or integrate innovative concepts, such as how neuroscience and architecture intersect to improve human health.
DI: Which aspects of a design do you focus more during designing?
NO : I focus heavily on how the design can support the physical and mental well-being of the people who will use the space. This includes considering elements like lighting, spatial flow, and the connection to nature. I also consider how the design can encourage positive behaviors, such as exercise, social interaction, and relaxation, through its layout and material choices.
DI: What kind of emotions do you feel when you design?
NO : I feel a deep sense of purpose and satisfaction when designing. There’s a sense of responsibility, as I know the spaces I create will affect people’s lives, and I take that very seriously. At the same time, I experience excitement and joy when new ideas come together and when I can see the potential for a design to positively impact someone’s well-being.
DI: What kind of emotions do you feel when your designs are realized?
NO : When my designs are realized, I feel a profound sense of pride and fulfillment. It’s rewarding to see the physical manifestation of a concept that was once just an idea. I also feel grateful, especially when the design contributes to improving people’s lives, as I had hoped.
DI: What makes a design successful?
NO : A design is successful when it not only meets functional and aesthetic requirements but also enhances the well-being of its users. For me, this means creating spaces that support mental and physical health, reduce stress, and foster a sense of community. A successful design also responds to the needs of the people it serves, and integrates seamlessly with the environment.
DI: When judging a design as good or bad, which aspects do you consider first?
NO : The first aspects I consider are how well the design responds to the needs of the people who will use the space and how it contributes to their well-being. I also look at the environmental and social impact of the design. A good design should not only be functional and aesthetically pleasing but also improve the overall quality of life for its users.
DI: From your point of view, what are the responsibilities of a designer for society and environment?
NO : Designers have a significant responsibility to create spaces that not only meet functional needs but also contribute positively to society and the environment. This includes designing spaces that promote health and well-being, reduce environmental impact, and consider the social implications of the design. As designers, we must ensure that our work enhances the quality of life for people while also being mindful of sustainability and the long-term effects of our designs.
DI: How do you think the "design field" is evolving? What is the future of design?
NO : I think the design field should evolve toward more interdisciplinary approaches, where architecture, neuroscience, psychology, and technology are increasingly integrated to create spaces that respond to human needs in a more holistic way. In the future, I believe design should play an even more crucial role in promoting health and well-being, with a stronger emphasis on neuroarchitecture and sustainable practices.
DI: When was your last exhibition and where was it? And when do you want to hold your next exhibition?
NO : Our last exhibition was at the Buenos Aires Architecture Biennale in Argentina, where we showcased our design for the Don Majestic Hotel. It was a wonderful opportunity to present our work on an international stage. In the future, I would love to hold an exhibition that focuses on the intersection of architecture and neuroscience, showcasing how design can positively impact mental health and well-being
DI: Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
NO : My design inspiration comes from a combination of nature, neuroscience, and human behavior. I am constantly inspired by the natural world and the way it supports human health. I also draw from the latest research in neuroscience and psychology, which informs my approach to creating spaces that support mental and physical health. Traveling, reading, and engaging with other designers and researchers also helps to feed my creativity.
DI: How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
NO : At Guevara Ottonello Architects, our design approach is deeply influenced by the principles of neuroarchitecture and Salutogenic Design. We focus on creating spaces that promote well-being by integrating natural elements, optimizing lighting, and fostering positive spatial relationships. Our style is both functional and human-centered, prioritizing the physical and mental health of the people who interact with the spaces we create. We explore this approach because we firmly believe that architecture is not just about aesthetic beauty or functionality—it is about improving lives. Our projects, whether residential, commercial, educational, or hospitality, are designed with the intent of reducing stress, promoting healthier behaviors, and enhancing overall quality of life. Key characteristics of our design style include: Integration with nature: We prioritize biophilic design, using natural materials, daylight, and green spaces to create calming and restorative environments. Spatial harmony: We emphasize layouts that foster positive social interactions, personal comfort, and connection with the surroundings. Sustainability: We carefully select materials and solutions that promote environmental responsibility without compromising the well-being of users. Holistic approach: Every design decision we make is informed by how it can improve the mental, emotional, and physical health of individuals who will experience the space. Ultimately, our goal is to design environments that support well-being and allow people to thrive, bridging the gap between architecture and neuroscience.
DI: Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
NO : I live in Uruguay, and I believe the cultural heritage here does influence my work. The appreciation for nature, simplicity, and sustainability in Uruguayan culture aligns with my design philosophy.
DI: How do you work with companies?
NO : I work closely with companies by understanding their needs and objectives, ensuring that the design aligns with their goals. This collaborative approach helps create solutions that are both functional and innovative. Communication and transparency are key throughout the design process.
DI: What are your suggestions to companies for working with a designer? How can companies select a good designer?
NO : It’s essential that the designer’s approach aligns with the company’s values and goals, and that there is a collaborative mindset throughout the process. Clear communication is key to a successful partnership.
DI: Can you talk a little about your design process?
NO : At Guevara Ottonello Architects, our design process is deeply rooted in the integration of neuroscience and architecture. We begin by understanding the needs and aspirations of our clients, focusing on how the spaces we design can positively impact their physical and mental well-being. From there, we conduct thorough research into how architectural features—such as spatial organization, natural light, and material selection—can influence health outcomes. Once we have a clear understanding of the project’s goals, we move forward with conceptual design, always ensuring that creativity and functionality align to enhance user experience. Throughout the process, we place a strong emphasis on collaboration, both within our team and with external consultants, to ensure that every design decision serves the overall vision of creating spaces that prioritize well-being. The use of neuroarchitectural principles guides our decisions, as we constantly evaluate how our designs support healthier, more fulfilling lives for those who will inhabit them.
DI: What are 5 of your favorite design items at home?
NO : 1. Large windows with natural light – As in our projects, we place great importance on natural light. In our homes, it creates a sense of openness and connection to the outside world, fostering mental clarity and a calm atmosphere. 2. Wooden furniture – We value the warmth and sustainability of natural materials like wood. It brings texture and an organic feel into the spaces we inhabit, which aligns with our commitment to biophilic design. 3. Indoor plants – Having greenery inside is essential for us. It not only improves air quality but also creates a calming, restorative environment, reminding us of the importance of nature in design. 4. Meaningful Art, (in my home, created by my children) – Our walls are adorned with paintings created by our children. Art has the power to evoke emotions, and these works evoke love, happiness, joy, all positive emotions. 5. Gathering furniture , that encourages connection—like sofas and chairs arranged to foster conversation and create memorable moments together. The furniture is designed to facilitate gatherings, making the space a welcoming and social hub.
DI: Can you describe a day in your life?
NO : I wake up early with a lot of energy, as the morning is my most creative time of the day. It's when I feel most inspired to think, create, and sit down with a blank sheet of paper to sketch and envision new ideas. I enjoy taking this time to organize my day, plan the week ahead, and set both individual and team objectives—daily, weekly, and monthly. Since my studio is located right next to my home, I take a break for lunch with my family. It’s a moment to reconnect, share how our day is going, and recharge for the rest of the afternoon. In the afternoon, my work becomes more collaborative. I focus on team projects, attend meetings, and engage with colleagues to drive forward our various designs and initiatives. After work, I spend quality time with my family, which is always a priority. In the evening, I enjoy reading books related to my research, particularly those connected to my ongoing studies in neuroarchitecture and how design can improve mental well-being. It's a way to end the day on a reflective note, continuously learning and staying connected to the intersection of architecture and neuroscience.
DI: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
NO : First and foremost, I would tell young designers that architecture is, above all, about creation. It's a challenging yet highly rewarding field, where the responsibility of designing spaces that people live in, connect through, work, study, and even love, is immense. The impact we have on the built environment is profound—it shapes the experiences and well-being of those who inhabit these spaces. On another note, as Steve Jobs wisely said, “Stay hungry, stay foolish.” This quote, though simple, is a powerful reminder to stay curious, passionate, and willing to take risks, even when the path ahead is unclear. My advice to young designers is to always stay curious and open-minded. Explore different disciplines and how they intersect with architecture—whether it’s neuroscience, psychology, or even philosophy. These fields can enrich your design process and help you create spaces that truly enhance the human experience. Lastly, never stop learning. Whether through formal education or hands-on experiences, continue to grow and evolve as a designer. Design is a constantly changing field, full of endless opportunities for personal and professional development.
DI: From your perspective, what would you say are some positives and negatives of being a designer?
NO : Positives: Creative Freedom – One of the most exciting aspects of being a designer is the possibility to create and shape the built environment. You have the opportunity to bring ideas to life and impact people's lives through your designs, whether it’s a home, a workspace, or a public building. Continuous Learning – Design is an ever-evolving field, and this means there are endless opportunities for growth. Whether it’s experimenting with new materials, exploring new technologies, or integrating interdisciplinary knowledge, being a designer allows you to continuously expand your skills and perspectives. Influencing Well-being – Particularly in my focus on neuroarchitecture, I find it incredibly fulfilling to know that the spaces we design can improve people's physical and mental health. By creating environments that promote well-being, we have the power to enhance lives on a deep, emotional level. Collaboration and Teamwork – Working with a diverse team of professionals—from architects to engineers, psychologists, and even artists—brings a wealth of perspectives and ideas that enrich the design process. Collaboration helps bring the best ideas to the table and leads to truly innovative solutions. Personal Fulfillment – There's a sense of deep satisfaction in seeing your designs come to life, knowing that your work will be experienced by others for years to come. Every project brings a new challenge, which keeps the profession exciting and meaningful. Negatives: Although the work of a designer can come with the typical challenges of balancing creative vision with practical constraints, I find that these challenges are often opportunities for growth. Whether it’s finding innovative solutions within a budget, meeting tight deadlines, or navigating the complexities of client expectations, I approach these as part of the creative process rather than obstacles. Every project brings its own unique set of challenges, but for me, the joy of designing and seeing those ideas come to life always outweighs the difficulties.
DI: What is your "golden rule" in design?
NO : My golden rule is: "Design for people." Every design decision we make is driven by how the space will affect the physical and emotional well-being of its users. Architecture should be more than just visually appealing or functional—it must promote health, happiness, and a sense of belonging.
DI: What skills are most important for a designer?
NO : Creativity – At the heart of design is creativity. It's about approaching every project with a fresh perspective and using imagination to find solutions that are not only innovative but also meaningful. Creativity in design is not just about aesthetics; it's about crafting spaces that engage with people on an emotional level and support their well-being. Empathy – To design spaces that truly resonate with people, it’s essential to understand their needs, emotions, and experiences. Empathy enables us to create environments that connect on a personal level, enhancing how people feel, work, and interact in a space. Technical Knowledge – Creativity must be balanced with a strong understanding of technical aspects like structural integrity, building systems, environmental considerations, and construction processes. A designer needs to ensure that their visions are not only beautiful but also practical and sustainable. Communication Skills – A designer must be able to communicate ideas clearly and effectively. Whether through sketches, digital renderings, or verbal presentations, the ability to express design concepts is crucial for collaboration with clients, contractors, and project teams. Collaboration – Design is a team effort. Working closely with engineers, contractors, clients, and other professionals enriches the design process. Collaboration brings diverse insights and can lead to more refined, innovative solutions.
DI: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
NO : We rely on a mix of essential tools: AutoCAD and Revit for drafting and BIM modeling, SketchUp for quick 3D concepts, and Lumion for realistic renderings. We also have a large collection of books that cover architecture, neuroscience, and design theory, which provide constant inspiration and guidance. These tools help us bring our ideas to life with precision and creativity.
DI: Designing can sometimes be a really time consuming task, how do you manage your time?
NO : I absolutely love designing and my work, so when needed, I’m more than willing to spend long hours—sometimes even working through the night—because it’s something I enjoy deeply. However, to stay efficient and maintain balance, I make sure to stay organized. I set clear daily, weekly, and monthly goals, both individually and as a team. Since we’re always working on several projects simultaneously, strong organization is key to ensuring everything progresses smoothly. Keeping track of objectives and timelines allows us to stay focused while still nurturing creativity.
DI: How long does it take to design an object from beginning to end?
NO : In architecture, the timeline for designing a building depends on various factors, including the scale and complexity of the project. Typically, we can complete the general design of a project within a month. However, the design process continues for several more months as we refine and perfect every detail, ensuring that everything is thoroughly planned and well-coordinated before construction begins. The focus on precision and detail is key to ensuring the project comes to life exactly as envisioned.
DI: What is the most frequently asked question to you, as a designer?
NO : The most frequently asked question I receive is about the integration of neuroscience into architectural design. Many people are curious about how the principles of neuroarchitecture can influence space design to enhance well-being, reduce stress, and improve the quality of life. This intersection of architecture and neuroscience is something I’m deeply passionate about, and I love explaining how design can have a direct impact on mental and physical health.
DI: What was your most important job experience?
NO : My most important work experience has been, and continues to be, co-founding Guevara Ottonello Architects in 2007. Since then, I have had the privilege of leading a series of projects across various sectors, including residential, hospitality, commercial, and educational design. Over the years, I have worked on designing and continuing to develop spaces that are not only innovative but also promote the well-being of the people who use them. Each project presents a new challenge, allowing me to integrate neuroarchitectural principles and improve the quality of life through architecture. Without a doubt, this ongoing experience has been crucial to my professional and personal growth.
DI: Who are some of your clients?
NO : At Guevara Ottonello Architects, we primarily work in the residential sector, collaborating with developers from various countries. Additionally, we have extensive experience in the hospitality, commercial, and educational sectors. Our clients include developers, businesses, and institutions looking to create innovative and human-centered spaces that prioritize both functionality and well-being.
DI: What type of design work do you enjoy the most and why?
NO : I particularly enjoy residential architecture because it allows me to directly impact people’s daily lives. Creating environments that foster mental and physical well-being is incredibly rewarding. With projects like Romi Building, I can see how integrating neuroarchitecture principles into homes can lead to healthier, more sustainable living environments. This personal connection to the end user is one of the most fulfilling aspects of my work.
DI: What are your future plans? What is next for you?
NO : Looking ahead, my main focus is to continue growing Guevara Ottonello Architects by broadening our expertise in residential, hospitality, commercial, and educational design. We aim to take on projects that emphasize sustainability, innovation, and the well-being of those who experience our spaces. Our goal is to create environments that not only fulfill the functional needs of our clients but also enhance their quality of life. At the same time, I am eager to advance my research on the relationship between architectural design and chronic stress. I’m particularly interested in exploring how spaces designed with neuroarchitectural principles can foster healthier living. By integrating this research into our studio's projects, I hope to continue advancing our approach to creating spaces that nurture both physical and mental well-being.
DI: Do you work as a team, or do you develop your designs yourself?
NO : While I contribute directly to the design process, I work as part of a team at Guevara Ottonello Architects. Collaboration is key, and I believe that working with a multidisciplinary team allows us to bring diverse perspectives and expertise to every project. Whether it's collaborating with engineers, sustainability experts, or fellow architects, each team member adds value to the design and overall vision.
DI: Do you have any works-in-progress being designed that you would like to talk about?
NO : Yes, I’m currently working on a few exciting projects, including several residential developments focused on integrating neuroarchitectural principles. One of them is a mixed-use development that combines residential units with community spaces designed to promote well-being. We are also in the early stages of a project focused on creating a wellness-focused educational space, which will use design to support both the physical and mental health of students and staff.
DI: How can people contact you?
NO : Our studio is located in Uruguay, but we work with clients from all around the world. People can contact us through the Guevara Ottonello Architects website or directly via email at natalia@guevaraottonello.com. I am fluent in Spanish, English, French, and Italian, so I’m happy to collaborate with clients from different nationalities and look forward to discussing any new projects or ideas.
DI: Any other things you would like to cover that have not been covered in these questions?
NO : I’d like to emphasize how important it is for architects and designers to consider the psychological and physiological effects of the spaces they create. As designers, we have the possibility to shape environments that not only look good but also contribute positively to the health and well-being of the people who interact with them. I believe that as we move forward, there will be even greater demand for design that enhances both physical and mental health, and I’m excited to continue being part of that evolution.