We, as the Designer Interviews ("DI") had the distinct pleasure and opportunity to interview award-winning, most creative and innovative RUPERT OOI SAY YUNG ("ROSY").
Rupert Ooi owns MATTENESS INTERIOR DESIGN - a consultancy which focuses mainly on project management in hospitality and high-end residential areas. His role in the company is to translate and conceptualize briefs into sustainable designs which accurately reflect clients’ requirements and business plans. Founded in 2018, Rupert and his team work diligently to ensure MATTENESS INTERIOR DESIGN delivers innovative solutions that work for the present and the future. “As the name MATTENESS INTERIOR DESIGN goes, I believe that in order to create a great design or something that never existed before, one needs to possess extreme passion in his work - others often see that as a state of “MADNESS,” but we constantly seek to redefine and rethink interiors way beyond the conventional perception of space, - that drive eventually brought the company to be noticed in the international community.” Touching a little bit on when he found inspiration to dive in the world of design as well as what matters to him most as a business owner, Rupert mentioned his creative flair was sparked at a tender age of 7 years and has pursued his dream ever since. After graduating with a Bachelor (Hons) of Interior Architecture from Limkokwing University in 2010, Rupert worked in a multi-disciplinary environment and gained unique skills and experience in interior design. Later on, as a captain of his own ship, the industry role as a designer has then shifted to an entrepreneur, interpersonal, and technical skills are very much needed to deliver a project that the team and our clients can be proud of. To Rupert, seeing the smiles on the clients’ faces and how they infuse their personal touches into each space after the completion of each project is truly rewarding, and he certainly loves his job for this reason. It is also very encouraging when our studio gains friendships with our valuable clients, as our businesses and job opportunities are mostly by word of mouth. Despite challenges brought by the pandemic during the year 2020 - 2021, especially at the beginning when the company had to put large projects at a halt, MATTENESS INTERIOR DESIGN persevered and looked for ways to expedite their plan to diversify the company’s direction by not limiting their criteria/target to depend solely in residential projects but also able to handle project across various scale as interior design consultants. The company was able to produce high-quality interior works and technical drawings for a bigger portfolio. During the pandemic the company gave back to the community via its corporate social responsibility projects - one such project was for the St. Nicholas’ Home (Penang), a non-profit charitable organisation which aims to respond to the evolving needs of the blind and visually impaired (BVI) community in Malaysia. “St. Nicholas’ Home gave us a good opportunity to convert one of their buildings located at the centre of a six-acre land to a full-fledged cafe and kitchen.” The space will be utilised as a training ground for the BVIs to empower them with modern living skills so that they can find employment and live independent lives. “We always love to and think it’s crucial for designers and architects to be involved in community development to bring more aesthetic value and added functionality to public building/space. Ultimately, we hope to bring awareness to the public on the importance of involving interior designers. Excellent designs should always be affordable for all to experience.”
RUPERT OOI SAY YUNG Designs
We are pleased to share with you original and innovative design work by RUPERT OOI SAY YUNG.
RUPERT OOI SAY YUNG Design - HL Residence Residential Interior Design
Designer Interview of RUPERT OOI SAY YUNG:
DI: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
ROSY : I have been in the interior design industry since graduated from Lim Kok Wing University of Creative Technology, Malaysia in 2010. Since then I worked in a multi-disiplinary environment and gains unique skills in interior design. In 2018, I decided to venture out on my own and established MATTENESS INTERIOR DESIGN, which currently focus mainly on design consultancy and project management in hospitality and high-end residential. I’ve been as art and comic enthusiast from a tender age of 7, this creative flair leads me to the world of interior design.
DI: Can you tell us more about your company / design studio?
ROSY : As the name “MATTENESS” INTERIOR DESIGN goes, I believe that in order to creates great design or something that never before existing, one needs to possesses extreme passion in his work (others often see that as a state of “MADNESS”), while constantly seek to redefine and rethink interiors way beyond the conventional perception of space, and eventually brought the company to the notice of the international community.
DI: What is "design" for you?
ROSY : Design to me is indeed a meticulous solution that requires careful consideration of numerous elements to create cohesive, functional, and beautiful spaces. Each aspect, from space planning to the final decorative touches, plays a crucial role in the overall success of the design. By paying attention to these details, designers can craft environments that are not only visually appealing but also enhance the quality of life for those who inhabit them. Thus, my role in the company is to take brief and translating it to a conceptual design that accurately reflects the client’s requirements and business plan, for both present and future. I involved in all projects at the practice from inception to delivery and work extremely close with the team and clients to ensure a well-executed solution that works.
DI: What kinds of works do you like designing most?
ROSY : The design works (given any interior space) that I find most rewarding is when there is mutual respect between the designer and the client. This mutual respect fosters a collaborative and creative environment, leading to the most successful and satisfying outcomes. Mutual respect also allows for constructive feedback, making it easier to address any issues or challenges that arise during the design process.
DI: What is your most favorite design, could you please tell more about it?
ROSY : There was one project back then in 2016, an information and souvenir center with an alfresco cafe, at the end of a 1.6KM original nature trail built by the British on the top of Penang Hill at 700 meters above sea level, operated by The Habitat to promote eco-tourism in Penang, Malaysia. It’s a standalone building fully surrounded by 130-million year old rainforest, allowing one to reconnect with nature in its purest form. My part for the project was to conceptualize the design and to coordinate the interior fit-out work. It is a challenge to us to do interior fit-out site assemble works, as the fixture is of a large scale geometry forms, and the site is located on top of the hill. This project often reminds me to stay humble and kind while working with others who also participating in the project with the same goal, because it takes way more than just ideas to complete a project. Every project will not succeed without the contribution and efforts from every craftsmen.
DI: What kind of emotions do you feel when you design?
ROSY : The best emotions when designing are the adrenaline rush of starting a new project with endless possibilities and the urge to create a new concept. These emotions not only fuel your passion for design but also enhance the quality and originality of your work. Conceptual Breakthrough - The thrill of having a sudden, brilliant idea that perfectly solves a design challenge. And experiencing a surge of inspiration, where ideas flow effortlessly, and everything clicks into place. Client Interaction - The excitement when a client enthusiastically approves your design proposal.
DI: What kind of emotions do you feel when your designs are realized?
ROSY : Knowing that your design positively impacts the client’s life/business and enhances the space, the sense of personal accomplishment in overcoming challenges and growing as a designer is overwhelming. also the pride in what you and your team have achieved together, recognizing everyone’s hard work and contributions. There is also excitement of knowing that the success of one project opens the door to new and potentially more challenging opportunities. The realization of your designs and the knowledge that you and your team can pursue more projects evoke a mix of satisfaction, pride, excitement, confidence, camaraderie, and a continuous drive for improvement.
DI: What makes a design successful?
ROSY : A successful design achieves the dual goals of solving the client's brief and making a lasting positive impact on the community. By balancing functionality and aesthetics, respecting cultural and environmental contexts, and creating emotional connections, designers can create spaces that are both practical and inspirational. This holistic approach ensures that the design not only meets the immediate needs of the client but also enhances the broader community, leaving a lasting legacy.
DI: When judging a design as good or bad, which aspects do you consider first?
ROSY : The idea that there is no absolute "good" or "bad" in design, but rather that it is about effective problem-solving, is a valuable perspective. Design's primary role is to address specific needs and challenges, making it more about finding suitable solutions than adhering to subjective notions of good or bad. Design is user-centric, a "good" design should be evaluated based on how well it meets the needs and preferences of its intended users. The effectiveness of a "good" design can depend on its context, including cultural, social, and environmental factors. However, aesthetics are subjective and can vary greatly between different cultures and individual preferences. While aesthetics are important, they should not overshadow the primary goal of solving the design problem effectively.
DI: From your point of view, what are the responsibilities of a designer for society and environment?
ROSY : From my point of view, we as a designer have a significant responsibility to society and the environment. By instilling an appreciation for aesthetics in the younger generation, designers can foster a culture that values and seeks out good design. Simultaneously, making design achievable for society ensures that everyone can benefit from well-designed spaces and products, leading to improved quality of life and a more sustainable future. Balancing these responsibilities requires a commitment to education, inclusivity, sustainability, and community engagement.
DI: How do you think the "design field" is evolving? What is the future of design?
ROSY : I think the "design field" is evolving with the emergence of AI is certainly reshaping the design industry. With AI tools becoming more sophisticated, designers now have access to powerful resources that can automate certain tasks, generate ideas, and even assist in the creative process. This shift is prompting a reevaluation of what it means to be a designer and what role human creativity plays in design. Authenticity in design becomes crucial in this context. As AI becomes more prevalent in the design process, there's a growing need for designers to bring their unique perspectives, experiences, and creative insights to the table. Authenticity is about infusing design with human emotion, intuition, and understanding, elements that AI, for all its capabilities, still struggles to replicate fully. Designers who prioritize authenticity focus on creating experiences that resonate with people on a deeper level, tapping into cultural, social, and personal contexts. They might draw inspiration from their own stories, heritage, or values, injecting a sense of genuineness and sincerity into their work. Moreover, authenticity fosters trust and connection between brands and consumers. In an age where consumers are increasingly seeking genuine experiences and meaningful connections, authentic design can help brands stand out and build lasting relationships with their audience. In essence, while AI is revolutionizing the design process, the future of design lies in the harmonious integration of technology and human creativity, where authenticity becomes the hallmark of truly impactful and resonant design.
DI: Can you describe a day in your life?
ROSY : My best approach is to kickstart my day with seeking inspiration from various forms of beautiful design, is a wonderful way to ignite creativity and set a positive tone for the day. By capturing ideas and concepts that resonate with our current projects, i'm able to draw inspiration from diverse sources and infuse our designs with creativity and originality. Setting aside time for sketching or doodling encourages creative exploration and experimentation, helping me generate new ideas and solutions without constraints. Sketching out rough concepts and creating mood boards allows me to also flesh out my ideas and convey them visually to the design team, fostering collaboration and alignment. Visiting field works and attending on-site meetings with other consultants or clients is almost daily basis, it allows me to gather firsthand insights, address any issues or concerns, and ensure that our design solutions align with real-world requirements. Reviewing my priorities and goals for the day ensures that I can stay focused on what matters most, and maximize productivity and effectiveness. I usually end my day with a rejuvenating jog, it's always a valuable self-reflecting moment to reflect on the lessons learned and identify areas for improvement or further exploration in future projects. Let go of any lingering thoughts or worries from the day and focus on being present in the moment, and embrace a sense of gratitude for the opportunities, challenges, and creative inspirations that each day as a designer brings.
DI: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
ROSY : To the younger designer, go all out to pursue your dreams in interior design. As people nowadays are more exposed to aesthetics interior space and art. We in the creative industry always needed more young blood to blend in and to contribute their unique way of thinking. The younger generation will also have their strengths in terms of their knowledge on social media/digital platform and also on design software skill sets. Looking forward to meet energetic younger team mates and together we can make our industry even better.
DI: What is your "golden rule" in design?
ROSY : The principle of being user-centric is indeed a golden rule in my design. Designing with the user in mind requires empathy to understand their perspectives, preferences, and pain points. Positive user experiences foster brand loyalty, as satisfied users are more likely to return and recommend products or services to others.
DI: What skills are most important for a designer?
ROSY : Interpersonal skills are the cornerstone of a designer's success, enabling effective communication, collaboration, and relationship-building. By honing these skills, designers can better understand client needs, work seamlessly with teams, engage stakeholders, present ideas persuasively, and create designs that truly resonate with end-users. Ultimately, strong interpersonal skills enhance both the creative process and the overall success of design projects. Interpersonal skills are vital for presenting design concepts persuasively to clients, stakeholders, and decision-makers. Negotiating with clients, suppliers, and contractors also requires strong interpersonal skills to reach mutually beneficial agreements. Strong interpersonal skills facilitate networking with other professionals in the industry, opening up opportunities for collaboration, mentorship, and career advancement. Building long-term relationships with clients relies on effective interpersonal skills, leading to repeat business and referrals.
DI: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
ROSY : My role as a design director in my company, focused mainly on translating client briefs into conceptual designs, indeed heavily relies on the skill of sketching, and my main tool is any sketching tools. By harnessing the power of sketching, I can communicate ideas with my team members, explore design possibilities, collaborate with colleagues, engage clients, and ultimately, bring our creative visions to life in a way that accurately reflects the client’s requirements and business plan.
DI: What is the most frequently asked question to you, as a designer?
ROSY : One of the most frequent questions to me as a designer often revolves around how can I maintain my passion for design. The desire to create meaningful user experiences is always the key answer. While, setting small milestones and celebrating achievements along the way helps me stay motivated, while also reminding myself of the impact my designs can have on users and clients.
DI: What type of design work do you enjoy the most and why?
ROSY : Engaging in design work that pushes our team out of our comfort zone and requires extensive research can be both challenging and incredibly rewarding. I always find that those projects that require collaboration across multiple disciplines, and challenge our existing knowledge and perspectives, are very enjoyable to work with. By immersing myself in unfamiliar domains, embracing curiosity, and conducting thorough research, we can develop innovative solutions that address complex challenges, inspire change, and make a meaningful impact on the world.
DI: What are your future plans? What is next for you?
ROSY : The passed pandemic really hit us hard by giving us a huge impact, as our on-going field work project needed to be on-hold, and this is our main source of income. Having said that, it actually expedites our plan to diversify our company’s direction; by not limiting our self to depend on residential projects solely, but also able to handle project across various scale as an interior design consultant. By all means, we are able to produce high quality interior works technical drawings for bigger portfolio. In the future, we will be focusing more on diversifying the type of projects that we have, and to be involved more on commercial and office space projects in the next year or two and we will be a little more deliberate on the residential projects that we take on. We aim to build up a bigger portfolio where we can express our design ethos to the fullest.
DI: Do you work as a team, or do you develop your designs yourself?
ROSY : We are an interior design practice that operates as a cohesive team, collaboration is not just a strategy but a fundamental aspect of the design process. By harnessing the collective creativity, expertise, and synergy of team members, interior design practices can deliver exceptional results, exceed client expectations, and achieve enduring success in the competitive design industry.