We, as the Designer Interviews ("DI") had the distinct pleasure and opportunity to interview award-winning, most creative and innovative xuechen chen ("XC").

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Designer Profile of xuechen chen

Xuechen Chen, an architect and visual artist in New York, draws inspiration from urban environments, focusing on city dynamics and subtle urban experiences. She holds degrees in B. ARCH from Pratt Institute and M. Design from the University of Pennsylvania. Her creative journey is deeply rooted in the materialist architecture process, where she deconstructs and reassembles materials within the digital realm. She has recently launched her very own personal studio, X.C Studio.

xuechen chen Designs

We are pleased to share with you original and innovative design work by xuechen chen.


The Folding Boat Community Center

xuechen chen Design - The Folding Boat Community Center


Field of Uncertainty Museum

xuechen chen Design - Field of Uncertainty Museum

Designer Interview of xuechen chen:

DI: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

XC : Hi, I'm Xuechen Chen, an architect and designer based in New York. My passion for architecture stems from a childhood fascination with art and a keen observation of urban transformations in China. After earning my B.Arch from Pratt Institute and an M.Design from the University of Pennsylvania, I've developed a multidimensional perspective that blends technical expertise with a deep appreciation for cultural richness and social impact. My designs aim to balance functionality and aesthetics, reflecting the evolving urban landscape and my dedication to purposeful design.

DI: Can you tell us more about your company / design studio?

XC : I currently work as an architect designer at Kohn Pedersen Fox (KPF), an architectural firm renowned for its innovative designs. My focus within the firm has expanded on a diverse range of projects, particularly on mixed-use and high-rise developments. Through this experience, I've gained a deep understanding of the intricate relationships between architecture and urban contexts. In addition to my role at KPF, I've recently started my personal studio, X.C Studio, specializing in civic and cultural projects. This endeavor allows me to apply my passion for architecture in a more personalized and specialized manner, focusing on projects that contribute to our communities' civic and cultural fabric. It represents a significant milestone in my career, enabling me to bring a distinctive vision to the forefront of architectural design.

DI: What is "design" for you?

XC : To me, "design" is a purposeful blend of creativity and functionality aimed at shaping meaningful experiences and environments. It's about solving problems, evoking emotions, and translating cultural narratives into tangible forms. At its core, design is a dynamic language with the power to influence and inspire positive change.

DI: What kinds of works do you like designing most?

XC : My favorite kind of design incorporates cultural and social reflections. I am drawn to designs that prioritize people's interactions and experiences, fostering an approachable atmosphere. I admire projects that are dedicated to enhancing users' needs and interactions while maintaining high aesthetic standards.

DI: What is your most favorite design, could you please tell more about it?

XC : In my life, I've been profoundly inspired by various artists and architects, including Chiharu Shiota, Zaha Hadid, Santiago Calatrava, Carlo Scarpa, and many others. They serve as my foundational inspiration, instilling in me the confidence to reimagine architecture, art, and philosophy uniquely and interconnectedly. These realms are never separate topics but deeply connected and intertranslatable, shaping my perspective and approach to creative expression.

DI: What was the first thing you designed for a company?

XC : The first project I designed for my own studio, X.C Studio, was the Hexa-Net proposal, a rethinking of the food delivery system and its urban impact. This project reimagines the food delivery system in urban environments, mainly focusing on New York City. It proposes using drone technology to create a comprehensive delivery network, enhancing efficiency and sustainability while fostering communal dining experiences within strategically positioned delivery centers. The Hexa-Net project embodies our studio's commitment to innovative design solutions that address contemporary urban challenges.

DI: What is your favorite material / platform / technology?

XC : I find great inspiration in the diverse palette of materials available for architectural design, particularly enjoying the interplay between wood, metal, concrete, and glass. Each material brings its own unique qualities to a project, allowing for the creation of distinct atmospheres and experiences. In my works, which often focus on civic design, I prioritize materials that provide comfort and warmth and offer flexibility for various programming and events. This approach ensures that my designs are visually appealing, functional, and adaptable to the evolving needs of the community they serve.

DI: When do you feel the most creative?

XC : My creativity is most inspired by the rich tapestry of my international background, which instills in me a deep reverence for the history and cultural connections that shape our design. Drawing from my Chinese heritage, emphasizing harmony with nature and the pursuit of balance, I find myself guided by philosophies that promote designs rooted in functionality and cultural resonance. This perspective enriches my approach, ensuring that my designs meet practical needs and harmonize seamlessly with their cultural and environmental context.

DI: Which aspects of a design do you focus more during designing?

XC : In my design process, I emphasize seamlessly integrating cultural and urban elements to create visually captivating and functionally efficient spaces. I prioritize facilitating fluid movement and interaction within my designs to enhance user experience. Furthermore, I meticulously incorporate materials and spatial arrangements that reflect the cultural context of each project, thereby honoring the heritage and identity of the locale. This holistic approach results in thoughtful, culturally sensitive designs that foster community, connection, and a profound sense of belonging for users.

DI: What kind of emotions do you feel when you design?

XC : A mix of emotions. I feel deeply inspired by the creative possibilities that each project presents, fueling my enthusiasm and driving me to explore innovative solutions. However, there are moments of stress as well, particularly when navigating complex design problems or tight deadlines.

DI: What kind of emotions do you feel when your designs are realized?

XC : When my designs are realized, I feel a profound sense of fulfillment. Witnessing concepts transformed into tangible spaces or structures brings a deep satisfaction, knowing that my vision has been actualized and will positively impact those who interact with it. This culmination of creativity, effort, and collaboration reinforces my passion for design and motivates me to continue pushing boundaries in my work.

DI: What makes a design successful?

XC : I believe that good design prompts reflection on the intricate relationships between people and products, products and space, and space and the city. This interconnected chain forms a continuous influence, profoundly shaping various aspects of our lives. It should demonstrate a profound understanding of cultural and social nuances, fostering inclusivity and connection. Additionally, I believe a successful design is measured by its capacity to evoke emotions, inspire contemplation, and positively shape how people interact with and perceive the world around them.

DI: When judging a design as good or bad, which aspects do you consider first?

XC : When assessing a design, my initial focus lies on two fundamental aspects: aesthetics and its capacity for social or public interaction. Aesthetics encompass the visual appeal and harmony of the design elements, while the potential for social interaction evaluates how effectively the design fosters engagement, connectivity, and inclusivity within its intended context.

DI: From your point of view, what are the responsibilities of a designer for society and environment?

XC : Designers are profoundly responsible for society and the environment, as their work directly influences how spaces are perceived, experienced, and utilized. This influence carries considerable power, capable of impacting both environmental sustainability and social dynamics. Therefore, designers must approach their craft with mindfulness and consideration, striving to create designs that not only fulfill functional needs but also contribute positively to the well-being of communities and the preservation of our natural resources.

DI: How do you think the "design field" is evolving? What is the future of design?

XC : I believe a transformative evolution in the design industry through the integration of advanced technologies like AI, VR, and AR. These innovations will revolutionize decision-making processes, encompassing analysis, research, rendering, and model-making. This shift doesn't diminish the significance of traditional craftsmanship; instead, it opens new dimensions for designers to seamlessly blend artistry into the transitions between virtual and physical spaces. As designers take on the role of technology orchestrators, I am consistently eager to expand my knowledge within the creative process.

DI: When was your last exhibition and where was it? And when do you want to hold your next exhibition?

XC : My art installation, "refacade," was recently selected for display at the Le Carrousel du Louvre Contemporary Art Exhibition 2024 in February. This project reimagines 18th-century church facades as modern sculptures, blending digital elements and aesthetics to sculpt timeless tales into tangible beauty. It offers viewers a visual journey through history, transforming tradition into a poetic fusion of design and craftsmanship. As for future exhibitions, I continue seeking opportunities to showcase my work refacade and some of my other visual art pieces.

DI: Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

XC : My design inspiration stems from the dynamic interplay and diverse interactions between various scales, from the individual human experience to the broader urban context. Creativity is sparked by exploring the intersections and combinations of different materials, experiences, and cultural influences. By immersing myself in diverse environments, observing everyday interactions, and engaging with various artistic and architectural expressions, I continually feed my creativity and draw inspiration for my works.

DI: How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

XC : My design style is deeply rooted in cultural and urban considerations. I aim to create spaces that are both visually appealing and functionally efficient. I prioritize a fluid experience within my designs, promoting seamless movement and interaction. Additionally, I integrate elements that reflect the cultural context of each project, whether through materials or spatial arrangements, to honor the place's heritage and identity. This approach results in thoughtful, culturally sensitive designs that foster community, connection, and a sense of belonging for users.

DI: Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

XC : As a designer based in New York and born in China, my international background profoundly shapes my design process. I deeply appreciate the history and cultural connections that shape our world, instilled by both my Chinese heritage and my experiences living in diverse urban environments. Drawing from philosophies that emphasize harmony with nature and the pursuit of balance, rooted in my Chinese upbringing, I approach design with a focus on creating spaces that fulfill functional needs and harmonize with cultural and environmental contexts. While this perspective enriches my designs, allowing me to create meaningful and culturally resonant spaces, it also challenges the complexities of blending different cultural influences and addressing diverse user needs.

DI: How do you work with companies?

XC : In my work with X.C Studio, I primarily focus on developing proposals and projects that are still in progress. However, collaborating with different consultants and subcontractors has been instrumental in bridging the gap between conceptualization and realization. Working closely with these partners has provided invaluable expertise and resources, allowing me to leverage their specialized knowledge in engineering, construction, and materials. This collaborative approach ensures that my designs are not only imaginative and innovative but also practical and feasible for implementation in the real world.

DI: What are your suggestions to companies for working with a designer? How can companies select a good designer?

XC : When working with a designer, I believe companies should prioritize effective communication, transparency, and goal alignment. Establishing clear objectives and expectations from the outset is essential, ensuring that both parties are working towards the same goals. Transparent discussions about budget constraints and project scope can help prevent misunderstandings and ensure that the final product meets functional and aesthetic requirements. Additionally, selecting a good designer involves considering their portfolio, expertise, and track record of delivering successful projects. Companies should seek designers who possess the creative talent and demonstrate a deep understanding of their industry, target audience, and project constraints.

DI: Can you talk a little about your design process?

XC : My design process begins with setting clear goals and conducting thorough research. I then explore initial ideas through sketches and brainstorming sessions. These ideas are refined into coherent concepts during the preconcept and concept phases. From there, I develop detailed designs through schematic and design development, collaborating with consultants and subcontractors as needed. The final stage involves producing comprehensive construction documentation.

DI: What are 5 of your favorite design items at home?

XC : Choosing just five favorite design items from my home is a challenge, especially with the wealth of intricate designs found in Chinese culture. I welcome you to explore my website to experience the beauty and diversity of Chinese design firsthand. From delicate porcelain vases to intricate silk brocade pillows, each item tells a story and reflects the rich cultural heritage of China. I believe experiencing these designs in person is the best way to appreciate their craftsmanship and beauty.

DI: Can you describe a day in your life?

XC : My day starts with planning. I then head to work, balancing creative tasks with designs and project meetings. Throughout the day, I take short breaks to recharge. If I get off work early in the evenings, I unwind with family, hobbies, or relaxation activities, hopefully prioritizing a healthy work-life balance. Yet, as an architect designer, deadlines are always the top priority.

DI: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

XC : in the design industry, practical experience is crucial; therefore, I recommend actively working on real projects to gain hands-on knowledge and hone architectural and design expertise. Studying influential design books and participating in design communities for networking and feedback can provide valuable insights and continuous learning opportunities.

DI: From your perspective, what would you say are some positives and negatives of being a designer?

XC : One of the greatest positives of being a designer is the constant inspiration that surrounds us, fueling our creativity and pushing us to innovate. However, this abundance of ideas can also lead to stress as we navigate the overwhelming array of possibilities. It's a delicate balance, but ultimately, the opportunity to turn inspiration into tangible creations makes the journey worthwhile.

DI: What is your "golden rule" in design?

XC : Always seeking for innovative solutions.

DI: What skills are most important for a designer?

XC : Be creative and be curious.

DI: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

XC : I use software and applications to bring my ideas to life. Key tools include Rhino, Enscape, AutoCAD, Revit, and the Adobe Suite, which provide the necessary tools for 3D modeling, rendering, drafting, and graphic design. Apart from digital tools, I also draw inspiration from books, architectural publications, and online resources, immersing myself in diverse design perspectives and ideas.

DI: Designing can sometimes be a really time consuming task, how do you manage your time?

XC : I prioritize tasks, set realistic deadlines, and break down larger projects into smaller, manageable tasks to manage my time effectively. Additionally, I sometimes take breaks to recharge and prevent burnout. Taking short vacations or breaks allows me to step away from work, clear my mind, and return refreshed and rejuvenated, ready to tackle challenges with renewed energy and focus.

DI: How long does it take to design an object from beginning to end?

XC : Server months to years usually

DI: What is the most frequently asked question to you, as a designer?

XC : Where does the innovation come from?

DI: What was your most important job experience?

XC : Every job experience is essential to me. I have worked in different companies on different scales, ranging from small-scale firms to international corporations, and my projects have spanned diverse areas, from residential developments to high-rise towers. Each experience has enriched my skillset, broadened my perspective, and reinforced my passion for design. As a result, I value the lessons learned and insights gained from every job, recognizing their collective contribution to my journey as a designer.

DI: What type of design work do you enjoy the most and why?

XC : I find great fulfillment in civic design, as it allows me to create spaces that directly benefit and enrich the lives of the broader community. Whether designing public parks, cultural centers, or urban infrastructure, civic design allows me to contribute to society's collective well-being and vitality.

DI: What are your future plans? What is next for you?

XC : I’m currently working on a residential project in China and am looking forward to this project.

DI: How can people contact you?

XC : Here’s my working email: xchenc.studio@gmail.com and my personal email: xchenc016@gmail.com